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Hauschka debut album due February 2019

Hauschka.jpg

Album release: ‘A Different Forest’ by Hauschka
Release date: February 2019
More info: Artist website

Sony Classical is pleased to announce the release of the first single ‘Curious’ on October 12 – by renowned pianist and Oscar-nominated film composer Hauschka (Volker Bertelmann). The single ‘Curious’ offers the first glimpse of his upcoming album ‘A Different Forest’ in which he does away with his customary instrumental preparations to return to the pure piano. The first single heralds the central themes of the album: the experience of nature as the basis for Hauschka’s understanding of life and the composition of music. For him, the concept of nature is epitomised by the image of a forest.

Listen to ‘Curious’ on Spotify here.

“In A Different Forest, I’m focusing on the forest as a natural environment and contrast to the urban everyday life; to my surroundings. Where do I want to live and work? What surroundings do I need in order to feel fulfilled? By examining these questions I always come back to nature. How often have I gone for a walk and finished on the crest of a hill or mountain top, and found a new perspective on things. It’s quite a moving experience. The experience of the sublime. Realising that everything has been there for such a long time and will continue to exist, yet in contrast, our human existence is reduced to but a fraction of the earth’s history.” The forest is also a symbol of change for Hauschka. Here people can find themselves again and feel surrounded by, as well as a part of, a unified whole.

Wandering in the forest is also comparable for Hauschka to his way of composing. He doesn’t initially write down his music, but rather develops melodies, motives or rhythmic ideas that he tests at the piano and then records. So a piece comes into being through the process of playing. A technique he also applied in his early works, that can be attributed back to his experiences walking in nature.

“My way of composing is similar to walking freely through the forest. When wandering you simply set off into the unknown. You find yourself in surroundings where nothing can be certain and you must trust your own senses in order to find orientation. You select the starting point and certain pointers along the way, but you cannot foresee what will take place enroute. I experienced this very early on and it was essential in order to discover my senses and to realise that when I trust my intuition, a lot can be achieved. So musical ideas are for me in this sense like waypoints while playing and the playing itself is like the wandering that joins them together. In a way I organise sounds into a musical journey.”

Hauschka often lets his compositions sit for weeks after he has recorded them, only later coming back to listen to them, further develop or rework them. The track Curious displays the process of development very clearly, as Hauschka explains: “With Curious, there is a pause after the first 20 seconds. This originated from the live recording, because as I played through the opening motive, I realised that I had to start the piece anew. But I ended up retaining this “false-start” in the final mix, because I wanted to show the development process."

For Hauschka every musical work is therefore a momentary recording of his activities in the here and now. Similar to a hike it’s often first in looking back, that the way reveals its ‘meaning’. So too with Hauschka’s compositions – it’s often on looking back at the process of their creation that their sense crystallises. Furthermore A Different Forest is also a plea for us to protect and preserve our natural world.

Hauschka will take the album on tour in 2019

Ever prolific, Hauschka has worked on numerous projects throughout the last decade, most notably in the fields of theatre, dance and classical ensemble works. In recent years Hauschka has also built a prolific career writing scores for films, coming to international prominence in this field through his soundtrack for the hit film Lion in 2016. Scored in collaboration with Dustin O’Halloran, the soundtrack was nominated for numerous awards including an Academy Award, Golden Globe and BAFTA. His other recent soundtrack work includes the films Hotel Mumbai (premiered at the Toronto Film Festival 2018), Adrift (2018), In Dubious Battle (2016), Exodus (2016) & Praia do Futuro (2014); and music for the new US TV mini-series Patrick Melrose (2018) starring Benedict Cumberbatch. This Fall he will be inducted as a member of the Academy of Motion Picture Arts and Sciences.

More information

If you would like some more information about this release, or would like to contact us about interview opportunities / review copies, just contact us via our press enquiries form.

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"Wissenschaftslehre IV or Opinion Crisis" by Sharks' Teeth out in March

Sharks' Teeth album artwork

Album release: "Wissenschaftslehre IV or Opinion Crisis" by Sharks' Teeth
Release date: 17 March 2015
Label: Paco Tapes
Listen on: Sharks' Teeth website

Sharks’ Teeth began in 2009 as an outlet for the solo recordings of Tyler Scurlock, songwriter and guitarist of New Orleans indie band, Sun Hotel. Six years and six synthesizers later, and Sharks’ Teeth are ready to release their 17th album ‘Wissenschaftslehre IV or Opinion Crisis’. The new album will be the fourth instalment in a sequence of ambient collections known as ‘Wissenschaftslehres’.

Borrowing its name from the German Philosopher, Johann Fichte, who used the term to mean something along the lines of “this is the way I think”, ‘Opinion Crisis’ comes to us in 22 tracks of pleasing yet dark, and dejected synth waves, maintaining a sense of otherworldly beauty across the board, with gorgeous pads and arpeggiators making their way across the stereo field in a hazy, oxymoronically lo-fi, cassette-recorded fashion.

True to its heritage ‘Opinion Crisis’ is philosophical in its execution. There is something almost cinematic in its design. Scurlock says “I think about how when the score enters a film, it can make a scene of an everyday task such as grocery shopping, folding your laundry, or just staring out the window appear to be an emotional and deeply meaningful experience, depending on the musical tones”.

Lead track, ‘Jade Oscilloscope Screen’ exemplifies this perfectly by blending dark, melancholic and swelling drones, with beguiling piano and subtle sweeps, which seduces the listener into forgoing any distractions and gives them a bespoke feeling of significance. It’s soothing, accommodating, and at times it is evocative of an outer body experience allowing the listener to inspect every element of their own mise en scène. This is more than just an album of pleasing synth driven tracks, it’s a collection of emotions and moods bestowed on to the listener for his/her own subjective delineation.

‘Wissenschaftslehre IV or ‘Opinion Crisis’ will also be the first release to feature the use of Scurlock’s very own design for a light operated delay device, the ‘Alter-Echo’. This unit, designed and distributed by Scurlock’s small time circuit bending operation kindinstruments.com, gives the tracks on ‘Opinion Crisis’ a new quality, made possible through a new way of controlling the expression of tone. These unfamiliar textures reveal themselves in the warped strings of opening track ‘Reader’s Digest Go Unread’ and in the bending and bouncing melody of ‘Gray Court’.

‘Opinion Crisis’ is a lush experience, with flittering electronic haze and minimal vocal work, seeming to allude to leisure and faith. It’s when explicit structure reveals itself from this record’s reverb-y fog that makes this the kind of record worth paying attention to the little sonic details.

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