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LAGS new album out 29 March 2019

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Album release: 'SOON' by LAGS
Release date: 29 March 2019
Label: Casu Marzu Records (UK/US)
More info: Band website

Today, Italian post-hardcore band LAGS have announced their return with their new single 'Knives and Wounds'. The track was premiered via Consequence of Sound, who called it "an anthemic track with a sound reminiscent of bands like Hot Water Music, BoySetsFire, and Sparta, as singer Antonio Canestri delivers the lyrics with a powerful rasp."

Hear/share new single 'Knives and Wounds' here.

Speaking about the 'Knives and Wounds', frontman Antonio Canestri says, "‘Knives and wounds’ is the opening track of our new album and is the first song we wrote for the new album. It’s a song written in collaboration with our former singer (Luca de Santis aka SUVARI) and addresses two very important themes in the record: a disease and the search for a cure; the difficulty of being sabotaged by our own body, the failure in breaking down the "walls" in our mind, that most of the time we build as a form of self-defense from others and also from ourselves. The video is based on the concepts expressed in the lyrics and it was written by the director Stefano Pedretti: “I am my own fears, that’s what I’ve become.”"

The new track is taken from their forthcoming sophomore album 'SOON', which is due out 29th March 2019 via the newly-formed UK/US Casu Marzu Records, as well as the lauded Italian label's To Lose La Track (Crash of Rhinos, Delta Sleep, Tiger! Shit! Tiger! Tiger!, DAGS etc.) and Fuzzy Cluster Records.

The new album is available to pre-order here.

More than three years have passed since Rome’s post-hardcore quartet LAGS released their debut album ‘Pilot’; a cult favourite across the Italian scene, but a well-kept secret to most. Since releasing their debut on Italian label To Lose La Track (home to likes of: Crash Of Rhinos, Delta Sleep, Tiger! Shit! Tiger! Tiger!), LAGS have played over 80 shows throughout the peninsula with the likes of Beach Slang, Delta Sleep, Screeching Weasel and Raein, as well as performing at a number of national and international festivals, winning over new fans with each set. Now, March 2019 will finally see the release of their highly anticipated follow up album ‘SOON’.

Punchier and more proactive, the new album distils the sound of 2015’s ‘Pilot’ LP, coupled with a production that is consciously raw and provocative. ‘SOON’ is the sound of LAGS at their intoxicating best, mirroring the restless energy of their live shows alongside moments of measured temperance that balances the whole thing on a razors-edge.

Architects of intense contrast the band’s powerful instrumentation regularly flirts with the fragility and weight of the emotionally driven lyrics, flitting between huge anthem-to-be, shout along vocals, intricate guitars and decisive drum work. From the immediate and incendiary opener ‘Knives and Wounds’, to the hook heavy vocals of ‘Echoes’, right through to the emotive and climactic LP closer ‘I Still Remember’, the new record places its focus squarely on power, melody and understated complexity. With a nod towards classic Dischord, 90s post-hardcore and anthemic 00s indie-punk, whilst calling to mind the likes of ‘After The Eulogy’-era BoySetsFire, At The Drive-In, DeSoto, METZ and Self Defense Family, it's safe to say that long-time fans, and fans anew, will not be disappointed.

Thematically, the new album is about arrivals and departures, losses and conquests, and illnesses and healings. Full of deeply honest lyrics ‘SOON’ is a cathartic and self-realising record with moments of surprising uplift. Speaking about the record, frontman Antonio Canestri says, “Soon is a word inextricably linked to the present. It suggests immediacy, but also anticipation and uncertainty about arriving safe and sound to some place that can be either extremely beautiful or extremely painful.”

Incredibly sentimental and sonically accomplished, the new album sees LAGS hone familiar expressions from their debut into refined, darker aesthetics that give their direct sound renewed vigour. ‘SOON’ is a brazen statement of intent and a chance to prove their true prowess having spent the last few years writing and touring. LAGS are climbing steadly, gunning for soft spots and proving that they should be anything but a well-kept secret.

‘SOON’ will be released on ltd. edition cassette as well as vinyl, CD and across all digital platforms. Following the album’s release, the band will head back out on the road playing dates across Italy as well as heading overseas to play their first UK dates.

“Post-hardcore gets a fresh breath of life” – Stereogum

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Theon Cross new single out now

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Single release: 'Panda Village' by Theon Cross
Release date: Out now
Label: Gearbox Records
More info: Artist webiste

Today, London tuba player and composer Theon Cross has shared his brand new single 'Panda Village'. Featuring fellow jazz trailblazers Nubya Garcia and Moses Boyd, the track marks Theon's first new solo release since his 2015 EP 'Aspirations'. The new single was premiered by the Quietus yesterday, who said "It’s electrifying to hear such a masterful interplay by three musicians at the top of their game."

Hear / share the new single 'Panda Village' here.

As one of the stalwarts of the London jazz scene, Theon Cross has been dominating airwaves and stages recently. He's part of a family network of young London-based musicians who have regularly supported one another in stretching and re-shaping the boundaries of the jazz genre. Having made a name for himself both as a member of the Mercury-nominated and award-winning quartet Sons of Kemet, as well as his own powerful and eclectic solo material, the last few years have seen Theon Cross appear on a number of highly acclaimed releases including the lauded ‘We Out Here’ compilation via Brownswood Recordings, as well as on the recent ‘Where We Come From’ mixtape on Chicago label International Anthem. Similarly, he has also performed around the world alongside the likes of Kano (appearing on-stage at Glastonbury), Moses Boyd, Makaya McCraven, Jon Baptiste, Pharoe Monch, Emile Sande and is a permanent fixture in South London-based collective Steam Down.

Within all this noise, Theon has also been leading his own trio project with the talented Nubya Garcia and Moses Boyd. 'Panda Village' marks the first of Theon's new material from the trio to be released on Gearbox Records (Thelonious Monk, Binker and Moses, Sarathy Korwar), who he plans to release further music with in 2019 - More details TBA.

'Panda Village' is available to purchase here.

Praise for Theon Cross

“incredible!” – Gilles Peterson

“crucially embraces the bass and rhythm role with exuberant inventiveness” – the Guardian

“A prodigious young talent” – New York Times

“could easily be sampled for a fiery Skepta track” – Rolling Stone

“swaggering grime tuba and hyped-up free-bop interplay” – the Quietus

“a key player in the UK’s bright-burning young jazz scene” – Stamp The Wax

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Swazi Gold new single out now

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Single release: 'Disco' by Swazi Gold
Release date: Out now
Label: Research Records
More info: Band website

Formed by the chief songwriters from Melbourne bands Crepes, Dreamin' Wild and Sagamore, Swazi Gold brings old friends together. Chris Jennings and Sam Cooper grew up in the Victorian coastal towns of Barwon Heads and Ocean Grove, while Tim Karmouche was an inland man, hailing from Ballarat in the state’s north-west.

It’s this togetherness that’s at the heart of Swazi Gold’s debut album, 'Jehovah’s Whispers', out on 1st March 2019 via research records. There are six songs, two created by each member; through true collaboration and participation. Nothin’ but a democracy there.

The first single from the album is 'Disco', written by Jennings. He says the song is about, “moving to Melbourne and seeing how we’ve all changed. We’ve all come from these bands that were heavily influenced by the coast and were our hometowns. They’ve changed a lot. We’ve kind of stopped being from the coast,” he says.

Listen to Disco here.

Driven by a sassy disco beat, the song name-checks towns dotted along Victoria’s western coastline. These places, like Leopold, Portarlington, Bellbrae and Torquay, are the former homes of Swazi Gold. The final places, and indeed the final words uttered in the song, are better known international hubs—like Barcelona, London and Berlin—suggesting the mainstreaming of worlds in moving to the big smoke.

On 'Disco' and 'Jehovah’s Whispers', Swazi Gold draw on their collective love of Nigerian funk, American electronics, and quirky, melody-driven pop music to explore the spaces between conventional genres. Artists ranging from the likes of Haruomi Hosono and William Onyeabor to JJ Cale and Harry Nilsson form the reference points that the give light to the band's creative spark.

‘Jehovah’s Whispers’ was recorded in a single weekend in 2017 at the Cooper’s family home in Ocean Grove, and captures the deep friendship between the three members.

Lyrically, the remaining five songs address a range of themes, from the realisation of personal limitations to seeing a thriving country town fade to nothingness. There’s also a brooding one in there for anyone who’s ever been ripped off.

'Jehovah’s Whispers' proves the whole is greater than the sum of its parts. And in amidst the love and equality, Swazi Gold’s debut album still packs a punch.

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Silverbacks new single out now

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Single release: ‘Just In The Band’ by Silverbacks
Release date: Out now
Label: PK Miami Records
More info: Band website

Dublin art-punks Silverbacks are storming back into action in 2019 with their new single ‘Just In The Band’ premiering at Stereogum, produced by Girl Band’s Daniel Fox and released through their own PK Miami Records.

Irish art punks Silverbacks delve into themes of false idolatry and deeper connection in their latest track ‘Just In The Band’ out Friday November 23rd on PK Miami.

Produced by Daniel Fox from fellow Dubliners Girl Band, 'Just In The Band' carries the same nagging unease as previous single 'Dunkirk' with taut drums and unrelenting bass underpinning seasick guitar arps and Daniel O’Kelly’s blunt commentary on the ‘problems down the back’. Feedback soaked and frazzled, it sees the band step further away from their indie roots and more into the groove - if the groove covered itself in petrol and dared you to light the match.

Silverbacks are a thrilling prospect, delivering their own louche take on NYC-indebted rock: slack enough for the tastemakers while also mining the gems of a pop vein, catching the ears of those with a taste for a good hook. Now a full-fledged five piece after graduating from the bedroom project of songwriting brothers Kilian and Daniel O’Kelly, they ply their trade with as much emphasis on the dry humour running through Daniel’s lyrics as the propulsive, triple guitar-led onslaught in their music.

Upcoming Irish shows:

  • December 1st: Other Voices 2018, Dingle (Hennessy Music Trail)

  • December 8th: Whelans, Dublin

The video for previous single 'Dunkirk' was created by Cameron Taylor, a childhood friend of the band's brothers Kilian and Daniel O'Kelly, who has done all of Silverbacks' artwork to date, and is "an important part of [their] direction." His video for 'Dunkirk' delves into their shared past: "The last scene in the music video features a typically grey and flat Flanders landscape where the three of us grew up. The estates in which we lived were once battlefields in the First and Second World War which isn’t too far off the idea of a beach resort in Dunkirk."

Dunkirk by Dublin band Silverbacks video on YouTube

Press reaction

"...infectious and breakneck" - Stereogum

"Dublin art-punks Silverbacks combat martial strife and boredom via tense, methodical beats and prickly guitar riffs." - Paste

"...jagged-yet-slick …modern post-punk" - The 405

"...another promising installment in Silverbacks’ early output, a suggestion that their forthcoming album will be an overdriven display of gratifyingly dense guitars and vocal hooks alike" - Stereogum

"...a crashing melodic chorus, kinetic drum fills, and tasty licks that would do Tom Verlaine proud" - Hot Press

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Hajk new single out now

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Single release: 'Keep Telling Myself' by Hajk
Release date: out now
Label: Jansen
More info: Band website

Today, Hajk have shared a brand new single entitled 'Keep Telling Myself' which has been described by DIY as "shimmering, woozy pop goodness".

The band's Preben Sælid Andersen has said that 'Keep Telling Myself' is, "actually a pretty dark song about trying to convince yourself that love still exists – not just between two people, but in general. This is also a sonic leap for us, containing a variety of sounds that we really enjoyed exploring."

Listen to 'Keep Telling Myself'

Pre-order album 'Drama'

'Keep Telling Myself' is the latest single to be released from newly announced album 'Drama', the first track 'Dancing Like This' can be heard below:

Listen to 'Dancing Like This'

Listen to debut single 'Magazine'

'Drama' – of the interpersonal kind – that’s what Hajk have turned their focus to. The band burst onto the scene with their self-titled debut album last year, garnering support around the world as well as making a name for themselves in their home country of Norway. Now, the highly anticipated follow-up 'Drama' has been announced for February 2019 – a record that both pulls at the heartstrings and urges you to dance away your sorrows. Lead single and first taste of what is to come arrives in the form of the bubblegum-flavoured new cut, 'Dancing Like This'. It's a lyrically melancholy and wide-eyed love song, with an addictive melody that looks to sugarcoat your tears.

Hajk’s 2017 debut received praise from the likes of Astrid S, Sigrid and Kimbra, as well as actress and model, Chloë Grace Moretz. International acclaim came in waves from Noisey, Stereogum, The Line of Best Fit, Drowned In Sound, V Magazine, The Independent, Indie Shuffle, and more, noting their idiosyncratic, yet supremely catchy pop tunes, while likening them to everything from Fleetwood Mac and Aztec Camera to Dirty Projectors and Little Dragon.

With their second album, 'Drama', a more self-assured band reveals themselves. Sharpened by more studio experience, they have once again produced the record themselves, taking extreme care over every second and minute detail of their work. Blending analogue and digital sounds, switching between programmed arrangements and live takes from the studio, drawing on three lead vocalists and an assortment of guest musicians, Hajk conjured up whatever was necessary to fulfill their creative vision.

The title 'Drama' relates to the drama of humanity and a somewhat naïve yearning for love in a world in which love can sometimes seem in scarce supply.

'Drama' is due for release on February 15th via Jansen Records.

PREVIOUS PRAISE FOR HAJK

"...shimmering, woozy pop goodness" - DIY Magazine

"This new Oslo-based band will make you feel so very fine" - Noisey

"The soaring vocals of Feist with the erratic percussion of Dirty Projectors" - V Magazine

Ones To Watch at The Guardian

"Hajk has delivered one of the best debuts of the year" - The Line Of Best Fit

"Crisp, clear, and smooth... street-ready guitar-pop" - Stereogum

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Jaws new single out now

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Single release: ‘Driving At Night’ by JAWS
Release date: Out now
More info: Band website

Birmingham dream-pop trio JAWS return today with the announce of their third and most ambitious album yet, ‘The Ceiling’, out April 5th 2019. Recording again with Gethin Pearson, who also produced 2016's "Simplicity", the album represents another musical leap forward for the band, adding new textures and further honing a sound that has been theirs since their inception.

You can watch the video (directed by Morgan Tedd) for the album opener and propulsive lead single ‘Driving At Night’ HERE.

Front man and guitarist Connor Schofield has the following to say about the new album and single:

“Lyrically ‘The Ceiling’ is generally about feeling a bit lost, I think as you grow up everything feels like its moving along a lot quicker; friends, relationships, life can all seem to move at 100 mph. Sometimes we forget that its OK to stand still for a bit sometimes and actually breathe. A lot of these songs are about dealing with that. Musically I think we’ve surprised even ourselves with it, we’ve gone down paths we haven’t taken before and ended up with something we’re really very excited about.”

“‘Driving at Nigh't’ follows the general theme of the record. I wrote it while thinking a lot about my hometown of Birmingham and I think it sets the tone perfectly for the rest of the record.”

Drummer Eddy Geach also said, "Basically that there's some things on there that people might not expect. Some that even took us by surprise, but also, classic jaws vibes."

As well as the new album, JAWS also announce a UK tour for April.

"The Ceiling" is due out 5th April 2019 - Pre-order HERE.

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The Rocket new single out now

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Single release: ‘Lost At Sea’ by The Rocket
Release date: Out now
More info: Band Facebook

  • Watch the video for ‘Lost At Sea’ here.

Belgian pop-punk outfit The Rocket are sharing the video for their latest single ‘Lost At Sea’, taken from their forthcoming album ‘Another Reason Not To Fear The Sky’, which is due out 30th November. The follow-up to recent single Focus, can now be watched here.

Speaking about the single, the band said;

"Lost at Sea might be one of the most personal songs our singer Tom has ever written. Although he’s this great charismatic dude who fills every room with joy, he’s not always great with expressing his feelings and thoughts. When he does so in lyrics like these, it’s always so poignant. He went through a bad breakup when we were writing the album, and Lost at Sea is about coming to terms with his own feelings.

We’re really proud of the clip we did for this one too; we fully directed and edited it ourselves, which was a painstaking process with lots of post-production and effects. For not being a high budget production, we really feel like we were able to stay true to our original concept and idea and the images just complete the song so well. The video shows a kid astronaut getting stuck on a planet without people, which to us seemed like a great metaphor for the loneliness depicted by the lyrics."

Having taken a break from writing together, the Rocket's new album Another Reason Not To Fear The Sky sees the band return in full effect. Produced by Marc McClusky (Weezer, Motion City Soundtrack, Bad Religion) and mastered by Chris Athens (Beastie Boys, AC/DC, N.E.R.D), the record is proof of the reinvigorated energy that has seen the quintet earn an illustrious live reputation playing stages at the likes of Groezrock and alongside many other major European festivals.

The album also features guest appearances from Justin Pierre (lead vocals/guitar) & Joshua Cain (lead guitar) of Motion City Soundtrack, merging the band's first-era pop-punk influences (think-Millencollin, NFG, Blink 182) with some of their more synth driven melodic sensibilities.

With years of gigging experience their shows are full of anthemic choruses, hook-driven emotive vocals, melodious synth lines and rapturous drumming, The Rocket are ready to blow all expectations away with a record that pushes genre forward with new layers of intricacy and depth, whilst packing in the vigour and irrepressible choruses fans of the genre have come to know and love.

Another Reason Not To Fear The Sky is due out on 30th November and will be see the band continue to a number of shows across Europe throughout the rest of 2018.

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Anne Marie Almedal new single out now

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Single release: ‘Lovesong’ by Anne Marie Almedal
Release date: Out now
More info: Artist YouTube

Following the release of her new album 'Lightshadow', Norwegian singer-songwriter Anne Marie Almedal has shared a new cover of The Cure's 'Lovesong'.

Growing up in the suburban bible-belt of southern Norway, bands like The Cure provided much salvation to the misfits of Anne Marie's generation, so it goes without saying that this cover was chosen with much diligence. Anne Marie's rendition of 'Lovesong' is stripped down to the bone with Nicholas Sillitoe’s piano-score sensibility and Alf Vaksdal's atmospheric guitar work and idiosyncratic electronics. Drummer Marius Trøan Hansen provides the downtempo minimalist percussion, whilst Anne Marie lays down her haunting vocals.

Following her critically acclaimed trilogy of folk-pop albums and a 5-year break to focus on family and other priorities, Norwegian singer-songwriter Anne Marie Almedal has now released her new album ‘Lightshadow’.

Recorded in Anne Marie’s hometown Kristiansand in a summer break with producer/co-writer Nicholas (taking time off his busy award-winning soundtrack schedule), the new album features a vast range of estimable Norwegian guest musicians including new-found producer/multi-instrumentalist/studio expert Alf Vaksdal, the young and talented drummer Marius Trøan Hansen, star Norwegian jazz double bassist Ellen Andrea Wang, violinist Sebastian Grüchot and a string quartet made up with members of the Kristiansand Symphony Orchestra. The album was then mixed with producer Tim Bran (London Grammar/Halsey/Birdy) and went on to be mastered by Pete Maher (The Killers, The Pixies, Lana Del Ray). The result, a one-listen-and-you’re-hooked defining new direction for Anne Marie.

Somewhat destined to be the first track off Anne Marie Almedal’s new album ‘Lightshadow’, lead single ‘You Keep Me At Arm’s Length’ arrives with just Anne Marie’s commanding vocals and Nicholas Sillitoe’s wistful folk guitar accompaniment, a brooding piano and synth bass slowly adding momentum. But it’s at the beginning of verse two, where we are suddenly propelled into the new ‘Lightshadow’ world of Anne Marie Almedal. Melancholy as ever, unmistakeably bittersweet, focused and full of longing, it’s here and now that Anne Marie sets about to prove herself with a bold new blend of folk, electronics, indie-dream-pop and nonchalant vocals.

Elsewhere, tracks such as ‘Travelling’ nod towards Kate Bush and George Harrison with an emphasis on Anne Marie’s vocals, Nicholas’s intimate piano work and Ellen Andrea Wang’s ruminating double bass. Whilst ‘My Dream Will Never End’ leans towards Anne Marie’s heavier folk sensibilities with references to the vast Norwegian wilderness, implemented in a pensive yet delicate manner that calls to mind the soft delivery of Vashti Bunyan.

‘Lightshadow’ is as diverse as it is evolutionary for Anne Marie. Her new album displays a blissfully original and sonically divergent take on what alt-folk music can sound like when restrictions, formulas, and self-consciousness are thrown out of the window. It may come 5 years after her last release, but shows that more often than not, the best things are worth waiting for.

Previous praise for Anne Marie Almedal

"Sweetness multiplied, sadness tripled, her music brings you a closer step to heaven...as fantastic as sharing the last cigarette with the one you love." - Esquire

"...a hint of Norwegian ice sends chills through all the rustles in the hedgerow." - Financial Times

"Breathtaking" - Daily Express

"Superbly chilled, the low-key approach seems to apply further intensity to the Norwegian singer's delivery, really focusing in on each word. A very lovely, pretty, sensual piece of music, it takes preconceptions around Anne Marie Almedal's music and shunts them into a different plane." - CLASH

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YOWL new single out now

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Single release: 'John the Collector' by YOWL
Release date: Out now
More info: Band Facebook

Today, Peckham five-piece YOWL have announced their new single 'John the Collector'. The single follows the release of YOWL's third single for ‘Warm (In The Soft White Fire Of Modern Living)’ and is being released with DIY for Jäger Curtain Call ahead of their headline show, which will be taking place on 15th November at The Lexington, London (with support from Sister Talk and Lumer) - Tickets available here.

The single was recorded at London’s Tileyard Education Studios and you can see a video of YOWL in the studio here via DIY. Speaking about the single, singer Gabriel Byrde says: “It’s a loose delve into the male psyche. It’s about a guy who tries to open up a little more and realises the only way he can do that is to murder his friends and stick their faces onto his walls so he has someone to talk to at all times.”

Listen to 'John the Collector' here.

Following Jäger Curtain Call the band have two more shows lined up for 2018 including a show at Rough Trade Bristol on 8th December alongside Hotel Lux, Squid and more, as well as a sold-out end of year IDLES AF Gang Xmas party at Record Junkee in Sheffield on 15th December with John, Heavy Lungs and an IDLES DJ set from Joe Talbot.

'John The Collector' serves as a taster for what's to come from the YOWL in 2019 - Further details TBA

With an EP and three singles behind them YOWL have earned some impressive critical acclaim from the likes of NME, DIY, Clash, The Line Of Best Fit, AnOther, Loud & Quiet, So Young, The Most Radicalist and more. Following the release of 2016's Before The Sleep Sets In EP YOWL released debut single 'My Headache Likes To Speak' in May 2017. Across its noir-laden four minutes, the band marry gnarled razor-wire guitars and a swaggering rhythm section with the sick croon of vocalist Gabriel Byrde. 'My Headache Likes To Speak’ was the second release from London's Big Score imprint, after recently putting out material from Bristol's LICE. The label comes from the minds behind Golden Arm who have watched over the likes of HMLTD, Goat Girl, and The Big Moon.

Nobody’s happy putting up with poor job prospects and a city pricing out the poorest, but the Peckham-formed YOWL capture a frustration of the 9-to-5 London grind like few others. And in frontman Gabriel Byrde, they have someone who can spin poetry on songs about alienation and exhaustion. YOWL are often viciously loud, but Byrde’s fanciful delivery gives them an edge.

Previous praise for YOWL

“YOWL take the mundane and make it sound like a never-ending thrill" – NME

"Cool as hell, a completely natural, unforced slice of post-punk noir reminiscent of everyone from The Fall to Wire to The Birthday Party while retaining its own individual path." – CLASH

"ravaged, poetic and pissed-off rock." – DIY

"The Peckham five-piece perfectly capture anger, cynicism and hilarity in one fell swoop." – THE LINE OF BEST FIT

“YOWL are a band who make Peckham sound like New York City 2002” – LOUD & QUIET

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Foxwarren new single out now

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Single release : ‘To Be’ by Foxwarren
Release date: Out now
Label: Anti-Records
More info: Band website

As college friends, Foxwarren - Andy Shauf (guitars/keys/vocals) and his childhood friends Dallas Bryson (guitar/vocals) and brothers Darryl Kissick (bass) and Avery Kissick (drums & percussion) - initially bonded over Pedro the Lion and drew influence from The Band and Paul Simon.

‘To Be’ was one of the first songs written for the project – listen to it here.

“We tinkered with it for ages and ended up drastically reworking it the weekend it was recorded, but we knew early on that it was going to be the opening song on the record,” Darryl said.

“It was a guitar riff that I'd been playing for a few years at least, trying to figure out what to do with it,” adds Shauf. “It went through quite a few versions if I remember correctly. Foxwarren have a bad habit of never finishing vocal melodies and lyrics before we finish the music, so it made it a bit tricky and ended up being overhauled at the last minute.”

Growing up in scattered small towns across the Canadian prairies, Foxwarren is comprised of singer songwriter Andy Shauf (guitars/keys/vocals) and his childhood friends Dallas Bryson (guitar/vocals) and brothers Darryl Kissick (bass) and Avery Kissick (drums & percussion) who eventually found themselves in Regina, Saskatchewan. The initial sessions for their self-titled debut – coming out November 30th via ANTI- Records – began ten years ago in the Kissicks’ parents’ farmhouse while they were away on vacation. Upon their return, Foxwarren was forced to relocate and recording resumed back in Regina in a rented house where the members lived as roommates. The band's name comes from the Kissick brothers’ family home in Foxwarren, Manitoba.

The four-piece previously released its first song 'Everything Apart'; the driving krautrock, drum machine backbone of the song evokes a ticking clock – a race against time. “Combined with Andy’s existential lyrics, the song’s propulsive feel reminded us of the noir-ish tension of classic spy thrillers like ‘The Conversation’, ‘Three Days of The Condor’, and ‘Tinker Tailor Soldier Spy’,” explained the video’s directors, the Ft. Langley Production Company. “With the band’s blessing, we set to work on creating our own micro cold-war thriller, paying homage to era tropes like zoom-heavy camerawork, trench coats, and analogue tech.”

Now a decade into the project of Foxwarren, Shauf reflects on their debut release: “So much time and effort went into making this album; it's something I think we're all really proud of. My touring and recording schedule got pretty wild over the past three or four years, so it put the Foxwarren album on the backburner. Making the album was such an enjoyable time - the collaboration and frustration of it all. All of us trying to make something better than we previously had. I'm excited to get it out into the world and have other people listen to it. We've been a band for 10 years or so and never properly released an album, so this is special for the four of us.”

Foxwarren video ‘Everything Apart’ on YouTube

"...recalls classic pop songwriters in the vein of Harry Nilsson or Randy Newman, coupled with the plainspoken timbre of a Paul Simon, albeit with a laconic Canadian drawl." - NPR Music

"...one of the single most promising voices to emerge from Canada in recent memory." - Flood Magazine

"...Shauf has always had a way of portraying characters and telling their stories in the most delicate and piercing ways." - The Line Of Best Fit

"Expect his voice to be by your side for years to come." - DIY Mag

"...a gleaming eye for detail and a kind of subliminal richness that seems to bring a golden light to whatever situation you find yourself listening to it in." - Gold Flake Paint

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Fontaines D.C new single out 21 December 2019

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Single release: ‘Too Real’ by Fontaines D.C
Release date: 21 December 2019
Label: Partisan Records
More info: Band website

Following their recent signing to Partisan Records and the announcement of their support slot on both the forthcoming Shame tour in the UK and Ireland, and next year’s IDLES tour in the US, Dublin’s Fontaines D.C. have now shared a video for their new single ‘Too Real’. The single was premiered by Steve Lamacq on BBC 6 Music who called it "poetic and powerful".

Watch the video for ‘Too Real’ here.

Speaking about the visuals in the new accompanying video, director Hugh Mulhern, says it is made up of "low-brow visuals inspired by Buster Keaton, James Joyce, The Dubliners and Jim Henson to discuss high- brow ramblings of some stout swilling stereotypes.”

The band will be releasing the single on a double A-side single including ‘Too Real’ and ‘The Cuckoo Is A Callin’’. The single will be released on 21st Dec and can be pre-ordered here.

Fontaines D.C. met as a quintet in Dublin, influenced and driven in equal measure by the rich history of their hometown’s counter-culture, their response has been to make concise and immediately authentic post-punk, channeling often-unassumingly poetic lyrics with a distinctive gritty Irish brogue that has done anything but fall on deaf ears.

The last year has seen Fontaines D.C. release three hotly received double A-side singles, all of which were named as singles of the week by Rough Trade, and garnered early support from the likes of Steve Lamacq and others on BBC 6 Music where they have previously been b-listed with their latest single ‘Chequeless Reckless’ (self-released) for 4 weeks, presented 6 Music Recommends and played live in session. Similarly, they have also earned plaudits from DIY, Dork, Stereogum, KEXP, Fred Perry Subculture, London in Stereo, So Young and every major Irish publication. The band have also played a number of sold-out shows across Europe, Ireland and the UK earning a reputation for their brooding and trenchant live performances, supporting the likes of IDLES, Metz, The Horrors, Girl Band and The Lemon Twigs, as well as playing festival slots at Primavera Pro, The Great Escape, Dot to Dot, Electric Picnic, London Calling, Hard Working Class Heroes and Simple Things Festival.

This month the band will be embarking on a full UK/IRE tour with Shame and in December will play a short series of headline dates, which have already begun to sell out. They have also announced further European and UK tour dates as well as main support on the IDLES US tour and a SXSW appearance for 2019 - Full dates can be seen here.

Fontaines D.C. have gone from strength-to-strength with each release, and with a vast array of critical acclaim, renowned live shows, a series of sold out releases behind them and their recent signing to Partisan, the new single and forthcoming dates stand as a huge statement of intent, which is not to be ignored.

The band entered the studio this autumn to record their highly anticipated debut album with estimable producer, Dan Carey (Kate Tempest, Bloc Party, Bat For Lashes, Black Midi, TOY, Goat Girl and more) - More details to be announced.

Previous praise for Fontaines D.C

"The best encapsulation yet of that surrealist, lyrical approach to noisy punk." - NME

"With one foot in the shambolic anarchy of The Pogues, and the other in a Las-esque lilt, Fontaines D.C are messy but melodic in the best way possible" - DIY

“Ireland’s latest greatest export” - DORK

“"Snarling, Swaggering Post Punk” - STEREOGUM

"I've played this about 15 times since yesterday. It's a little bit like hearing Idles for the first time. I really think there's something here" - STEVE LAMACQ

“The energy, the urgency and the emotion of these brilliant new songs made me stand up and take notice that this is the band I've been waiting for” - KEXP

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Hayes & Y new single out now

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Single release: ‘Blue’ by Hayes & Y
Release date: Out now
More info: Band website

"From the synth flecks to those speckled Nile Rodgers esque guitar lines, 'Blue' feels like the complete pop package." - CLASH

Hayes & Y have returned with a brand new single, 'Blue'. Described by CLASH magazine as "a moody dancefloor burner with a killer chorus", it follows recent track 'Always So Simple, Always So Cold' which was featured on Spotify's UK Viral Top 50 chart. Already picking up plays at BBC Introducing and BBC 6 Music, the group adds a little more insight into their latest creation;

"Blue is the first in a series of songs we've named after colours. It is about loneliness, insanity and imaginary friends. ‘Blue’ is a song about longing, masquerading as a dance track. The most ambitious work we've done so far, challenging ourselves and hopefully, our audience."

Listen to 'Blue' here.

With band members that hail from as far afield as Bulgaria and Finland before settling in Manchester, Hayes & Y collect their influences to create their very own sound. Their strong chemistry and rich musicality are manifest in their effortlessly sleek, immediate and addictive brand of pop - which has been compared to the likes of Jungle and Nile Rogers - with CLASH going on to comment on their "infectious funky yacht pop, their bleached out sound recalls everyone from Jungle to Kool & The Gang. 'Blue' will only serve to increase the hype around the quartet, an irresistible new single from the group."

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Imperial Daze new single out now

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Single release: ‘Always Settling’ by Imperial Daze
Release date: Out now
Label: AudioCommune Records

Watch / share ‘Always Settling’ new video here

Made up of singer/guitarist Alex Cameron-Ward, guitarist/bassist Felix Rebaud-Sauer, keyboardist/singer Facundo Rodriguez and drummer Tom Sunney, Peckham, indie-psych-pop quartet Imperial Daze started as a 3-piece studio project. At the end of 2015 that Alex, Facundo, and Felix decided to build a recording studio together with the intention of making music for advertising under the company name of AudioCommune, following Alex’s previous band being placed in a Sony PS4 advert, bringing in enough money to set up a recording hub in the basement of an industrial old warehouse building in Battersea.

Having begun writing music together, late-2016/early-2017 saw Imperial Daze release a short series of hotly received singles earning critical acclaim from the likes of DIY (Neu Pick), Clash (Track of the Day), Indie Shuffle, Hilly Dilly and more, whilst clocking up tens of thousands of plays across streaming platforms. The band’s hazy, rolling indie-pop and self-made success also caught the attention of Rupert Jarvis from The Maccabees and Ian Brundrett from Caroline/Fiction Records who took the band under their wing for both the production and management, helping the band to further explore their sound.

Having performed as a studio project up until meeting Rupert, the decision was made to put a live band together with the idea of recording a first EP and touring. Taken to The Drugstore (The Maccabees own recording studio in London) by Rupert, the band recorded their debut EP ‘Solid Fair’, which due to a last-minute line-up change also featured Sam Doyle (also of The Maccabees) on drums. These recordings and the bands work with Rupert led to the band supporting a series of estimable artists over the second half of 2017 including Mystery Jets, Matt Maltese, Nilufer Yanya, The Maccabees, All We Are, Man,The Echo and more, allowing the band to craft and hone their live show.

Having found their new (and current) drummer, Tom Sunney, again the band had to move their recording studio. History repeating itself, a strike of luck brought the band another opportunity to build their own walls inside a giant disused commercial freezer under a railway arch in Central London. Getting a call for AudioCommune to score an advert for a large ice cream brand, they land the job, get the pay check and with the extra help of a successful crowdfunding campaign they manage to gather enough money to build from scratch what is now called The Electric Eel Recording studio (the freezer was previously used to store eels) by Tower Bridge, London.

Having their own creative space has allowed the band to expand their sound and repertoire. They began by scoring, recording and producing the soundtrack to director Nathan Sam Long’s short movie ‘Give Up The Ghost’ (selected for Cannes) signalling a more “cinematic sound” to come. Going forward the band are continuing their collaboration with director Nathan Sam Long throughout two new music videos for their upcoming singles. The tracks have been recorded between their own studio and the now defunct Maccabees’ Drugstore studio and with ‘Always Settling’ out now a follow up single is due ahead of the bands forthcoming headline show at The Waiting Room in Stoke Newington in November.

Previous praise for Imperial Daze

"hazy and romantic, rolling along with little urgency, just a beautiful, driving vocal set against surf pop guitars." - DIY (Neu Pick)

"a succinct, groove-led summer jam with a chorus to stop you in your tracks." - CLASH (Track of the Day)

"if you're a fan of the genres described and know when a group not only has potential, but is nailing the kind of sound you love, this track is definitely one you'll like" - Hillydilly

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Minus the Bear new single out now

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Single release: 'Viaduct' by Minus the Bear
Release date: Out now
Label: Suicide Squeeze Records
More info: Band website

Minus the Bear are thrilled to share their new single, 'Viaduct', the latest offering from their forthcoming EP, Fair Enough, which is due out October 19th on Suicide Squeeze Records. The song premieres today on Revolver, who who hail it as “a warm and catchy track propelled by jaw-dropping, shimmering guitar lines,” another banger delivered by the “guitar-virtuoso post-punk favourites” ahead of their final EP. The band is also excited to announce a charity auction they’re partnering on with MusiCares, a nonprofit that provides support and community services to musicians in need of medical, personal and financial assistance. Today, Minus the Bear launch an auction for the first in a series of four original paintings by artist and Minus the Bear bassist Cory Murchy, created for the cover of Fair Enough. Cory has the following to share on his thoughts behind the painting and EP cover art:

“It was important for me to create a cover relevant to the band and our history, as well as something strong enough to stand on its own artistic merit. The picture we used for our first EP was a blurry photo of the band walking through the forest. We were grainy and not so well defined, monochromatic, youthful. This painting is a response to those same young men and the 17 year-long journey they took together. The human figures, now much more defined, have been replaced by shapes that are now finding their own colors to live in. Much less unified but still working within each other’s orbit. The wonder of the woods has been replaced with a milled piece of working lumber. It’s a representation of who we’ve become as individuals and I think it reflects the music in a lot of the same ways. Distilled by time and purpose.”

MusiCares holds a special place in Cory's heart, as he personally benefited from their aid while struggling with a chronic back injury. You can learn more about MusiCares here. For more about Cory Murchy and his paintings, see here.

This past July, the band announced their breakup in tandem with a final farewell tour, which kicks off in Nashville on October 9th and culminates with three sold out shows in their hometown of Seattle on December 14th, 15th and 16th. Since their first shows in 2001, the Seattle group have been thrilling crowds with their virtuosic songwriting and play from Los Angeles, New York, London and Tokyo, to Jimmy Kimmel Live and Bonnaroo. Their melding of genres and innovative use of pedals, loops, and electronic elements in their music has been a defining contribution to indie rock in the mp3 and streaming era, and an influence on the band’s peers and those that followed in their wake.

You can check out the remaining VIP presale packages for this fall’s farewell tour here, as well as pre-order the Fair Enough EP. All upcoming tour dates are listed below.

Stream ‘Fair Enough’ via Stereogum or SoundCloud

Pre-Order the ‘Fair Enough EP’ here

Minus the Bear is a product of the first two tumultuous decades of this century. From their first show in 2001 to their impending dissolution at the end of 2018, the Seattle band thrived on the musical awakening in the era of the mp3, the internet, poptimism, and the endless cross-pollinations generated from an expanded consciousness of new forms of music. With the aim of sounding like “classic rock from the future,” they initially forged their music from the dichotomous blend of David Knudson’s prodigious finger-tapped guitar lines and Jake Snider’s cool-tempered narratives set against a backdrop of souped-up dance beats. Throughout their career, spanning six full-length albums and a raft of EPs, singles and split 7”s, they’ve carried on the trailblazing traditions of ‘70s prog rockers and guitar-centric indie rock pioneers of the ‘80s and ‘90s, but they’ve also always been a band of new sounds. Synths, drum machine break beats, omnichords, and pedalboard gadgetry all contribute to the band’s electronic flourishes. You can hear the poptimist appreciation for a club banger, a new wave hook, or a solid hip-hop beat in any number of their songs. And with their final EP, ‘Fair Enough’, Minus the Bear closes the book on their inimitable hybrid of scholarly art-rock, breezy indie pop, and warehouse party appeal.

One of the first tracks written for their last album VOIDS was ‘Fair Enough’, a reserved track that went through a variety of permutations before winding up on the backburner. Like most Minus the Bear songs, it began as a loose framework of interlocking guitar parts created by Knudson that quickly changed shape as the other members contributed their parts. “It’s interesting because we tried re-doing it twice in the studio,” says keyboardist/vocalist Alex Rose. “I was really into the first new direction as it was very pop, but collectively it didn't seem to fit. Then we tried a more ambient one… it just ended up being one of those songs that didn't beat the others.” But as the band was digging through their archives earlier this year, they stumbled upon an early version of the song. “It jumped out as sounding done,” Rose recalls. “I touched up the mix, fixed a few edits and sent it to everyone while we were on the recent Planet of Ice anniversary tour. The other guys all listened together and by all accounts had ‘a moment.’ I think the song had taken on new meaning after we decided to end the band.” Given Snider’s prescient lyrical lament of lost passions and finding “the exact moment we turned it off,” it’s hardly surprising to hear that the song resonates strongly within the group. Snider insists it was written to eulogize a failed romantic relationship, but it’s hard to not hear the lyrics as foreshadowing the band’s break-up.

The other three songs of Fair Enough are both a continuation and a culmination of Minus the Bear’s diverse sounds. The adrenalized up-tempo drumbeats, lush electronics, and nimble guitar work that initially set them apart from their peers back in 2001 are on full display during “Viaduct”. It certainly sounds like the same band that wrote “Monkey!!!Knife!!!Fight!!!”, but with a whole new arsenal of tricks, techniques, and toys to embellish the sound. “Dinosaur” has the punctuated groove of early hits of “Fine + 2 PTS ”, but crafted with the understated Steely Dan-esque delivery of their more current slow jams. In keeping with their “classic rock from the future” approach, the opening keyboard line of “Dinosaur” is a ham-fisted hook originally conceived on a cheap iPhone piano app. The EP closes with a nod to their ongoing remix collaborations, this time with a vibrant rave-up reinvention of “Invisible” by Sombear.

The EP album art comes courtesy of bassist Cory Murchy. “The picture on our first EP—This Is What I Know About Being Gigantic—was a blurry photo of the band walking through the forest,” Murchy explains. “The cover to Fair Enough is a nod to that almost 20 years on. The figures are much more defined, coming into their own colors, a little less unified but still working within each other’s orbit. The wonder of the woods has been replaced with a milled piece of working lumber as the canvas. I think it reflects the music in a lot of the same ways—distilled by time and purpose.”

Minus the Bear are a band born in the new millennium, when the gateways to cult artists were blown open by the internet, rock’s purist aesthetic rules were challenged, and technological advancements completely altered the way we create and consume music. If there was some middle ground to be found between King Crimson’s fretboard gymnastics, Midwest indie rock’s cerebral songcraft, Warp Records’ glitchy compositions, and FM radio’s current bump-and-grind staples, Minus the Bear staked it out first. Suicide Squeeze is proud to release Fair Enough on October 19, 2018. Fair Enough will be available on CD, digital formats, and as a 12” cut at 45rpm. The initial vinyl run consists of 2000 copies on coke bottle green and 1000 copies on black.

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Charly Bliss new single out now

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Single release: ‘Heaven’ by Charly Bliss
Release date: Out now
Label: Barsuk Records
More info: Band website

First new material since last year's ‘Guppy’

Today, NYC's Charly Bliss have released a song titled ‘Heaven’, a staple of their live show. '

Of the song, Eva Hendricks says: "'Heaven' is one of the first songs I wrote after Guppy, and to me it sounds like the ending of one phase of our sound before we knew what was going to come next. We played it live every night of our album release tour and it was really incredible to see the way people reacted to and connected with the song. It's our first love song, and I basically had to force myself to write the lyrics as a songwriting challenge to myself. I think I was always worried that songwriting was something that only existed to me as a coping mechanism, and that once I was happy I wouldn't have anything interesting to say or write about. I'm proud of the sweetness and simplicity of this song, and we're super happy to release it finally!"

Listen to ‘Heaven’ here.

Charly Bliss will be touring the US with Death Cab For Cutie later this month and throughout October.

"Feels familiar even on first listen; you might find yourself singing along by the second chorus, as if this band's been soundtracking your adolescence all along." - NPR

"One of those bands where you either like them or you're wrong" - Upset

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The Last Dinosaur new single out now

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Single release: ‘Me & Magdalena’ by The Last Dinosaur
Release date: Out now
Label: Phases
More info: Band website

A year on from critically acclaimed second album ‘The Nothing’ (★★★★ - The Independent, ★★★★ - Uncut, ★★★★ - Mojo) The Last Dinosaur return with a re-imagining of the Ben Gibbard (of Death Cab For Cutie) penned ‘Me & Magdalena’, written for and recorded by The Monkees for their final album ‘Good Times’. It is also their first single for new label, Phases. Listen here

Featuring backing vocals from Nettwerk artists Austin Basham and Jack In Water and beautiful lap steel from Nashville resident Hip Hatchet this ode to a love beyond measure is the perfect song to soundtrack the transition between Summer and early Autumn as the warm comforting glow of the evening shifts from the setting of the summer sun to the heat of the camp fire.

The band play the Sebright Arms on 26th September supporting Horse Feathers and a headline set on the 2nd of Oct at The Finsbury.

Poignant, dreamlike, beautiful: The Last Dinosaur’s ‘The Nothing’ is a record to swim in. The brainchild of Londoner Jamie Cameron, it’s an album that addresses a tragic event from his teenage years, and transmutes that experience into a cathartic work of art.

At 16, Jamie had met kindred spirit James Macdonald at music college and recorded the 2004 album ‘Good Morning Sunshine… and Goodnight’ with him under the name When I Was a Little Girl, a well-received debut through the independent label Where It’s At Is Where You Are. But a year later, Jamie was in a car crash that tragically claimed the life of his best friend. Out for the day with one of Jamie’s sisters and another friend, the car aquaplaned and hit another car at a junction. James’ injuries were the worst among the passengers, and when he passed away, Jamie was in a state of shock.

“I’d had a pretty idyllic life until then, nothing particularly bad had happened,” Jamie says. “That was a difficult experience to comprehend. Despite how harrowing it was, I thought came out of it relatively mentally unscathed, although in hindsight that’s a trick you tell yourself.”

Instead, he began recording with another music college friend, Luke Hayden, as The Last Dinosaur. Jamie’s parents split up, he broke up with his girlfriend, and The Last Dinosaur’s debut album ‘Hooray! For Happiness’, covered glowingly by the likes of Uncut, The Line Of Best Fit and more, attempted to come to terms with these experiences, while avoiding the real elephant in the room. “I was doing everything to avoid confronting this really big thing that happened at an age when you don’t generally experience death and loss,” Jamie says.

Afterwards, depression took hold of him, but over the course of years, he began writing, recording and amassing songs that addressed his grief and own fear of dying. The powerful The Nothing began to take shape.

“It wasn’t an intention of mine to write an album about dying or anything like that, but I realised after I’d written a few songs that they all were about it in some way. It got to a point where I couldn’t really avoid it. I’d done the divorce album and it was all I was left with, trying to make sense of this thing that happened. Halfway through I realised it was profoundly cathartic, it made me felt less scared of dying.”

‘The Nothing’ is uplifting, life-affirming. Its lyrics may tackle the subject of mortality, but the gorgeous, overlapping, interlacing melodies are like drifting in a blissful reverie. ‘We’ll Greet Death’, with its strings, piano, saxophone and acoustic guitar is defiant, possessed of an emotional complexity. On ‘Grow’, Jamie’s lovely acoustic plucking forms the basis for a song about the fragility of life, while ‘The Sea’ is a meditative post-rock movement that begins in a hushed place and concludes over five minutes later in a gorgeous string-laden denouement. Although Jamie professes to a childhood love for R.E.M, Tortoise and most of all, Talk Talk, the music here is very much his own, self-penned and performed with close friend Rachel Lanskey providing viola on most of the songs. “I’ve had a very strong sense of never wanting to copy anyone else’s music, I just want to sound like me,” Jamie says.

Created between 2009 and 2016, ‘The Nothing’ is a stunning, affecting album that is also a touching tribute to Jamie’s late friend. “Someone called it elegiac,” Jamie says. “I quite liked that notion.”

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The Hold Steady new single out 7 September 2018

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Single release: 'Confusion in the Marketplace' b/w 'T-Shirt Tux' by The Hold Steady
Release date: 7 September 2018
Label: Frenchkiss Records
More info: Band website

The Hold Steady has released a brand new single. 'Confusion in the Marketplace' b/w 'T-Shirt Tux' arrives at all DSPs and streaming services via Frenchkiss Records today, September 7.

'Confusion in the Marketplace' b/w 'T-Shirt Tux' can be heard now exclusively at The Hold Steady’s Bandcamp page. Fans can download the single now by donating to The K + L Guardian Foundation, a fund set up to benefit the children of Unified Scene founder 'jersey' Mike Van Jura, who died in November 2012.

Recorded at Isokon Studios in Woodstock, NY with producer Josh Kaufman and engineer D. James Goodwin, 'Confusion in the Marketplace' b/w 'T-Shirt Tux' continues a string of recent THS single releases that includes 'The Stove & The Toaster' b/w 'Star 18', 'Eureka' b/w 'Esther', and last year’s 'Entitlement Crew' b/w 'A Snake In The Shower'” All eight of these new songs mark the return of keyboard player Franz Nicolay.

Additional performers on the new songs include Stuart Bogie and Dave Nelson on horns and Annie Nero on backup vocals. All three singles are available now at all DSPs and streaming services as well as the official Hold Steady Bandcamp.

'Confusion in the Marketplace' b/w 'T-Shirt Tux' arrives just as The Hold Steady gets set to continue its 'Constructive Summer' series of North American live dates with an eagerly anticipated sold out four-night-stand at Toronto’s Horseshoe Tavern. The dates begin with a special 10th anniversary performance of STAY POSITIVE in its entirety on Wednesday, September 12 and then continue through September 15. On September 21 and 22, The Hold Steady will be in Chicago as part of Goose Island’s 312 Block Party. 

“We are counting the days before we hit Toronto for our four-night stand at The Horseshoe Tavern,” says The Hold Steady’s Craig Finn. “Toronto is one of our absolute favorite cities to play, and the (legendary) Horseshoe Tavern has hosted some classic THS shows. These will be no exception, to be sure. Night One, we will be paying tribute to the 10th anniversary of STAY POSITIVE by playing the album in full, as well as a bunch of jams from all the other albums. So come raise a toast to 10 years of STAY POSITIVE with us and hear a few that we don’t pull out very often."

“It won’t all be looking backwards though, as we are pleased to announce some new songs: ‘Confusion in the Marketplace’ and ‘T-Shirt Tux.’ We had a blast making these and hope you enjoy hearing them. We hope to play them for you in Toronto for their live debut. Can’t wait to see you all there and celebrate the last four shows of ‘Constructive Summer’ before we move onto what’s looking like an already pretty constructive autumn…”

The Hold Steady is returning to the Brooklyn Bowl for the third annual 'Massive Nights' celebration, November 28 through December 1.  Limited tickets remain for 'Massive Nights III' and are available here.

The Hold Steady is: Bobby Drake (drums), Craig Finn (vocals), Tad Kubler (guitar, vocals), Franz Nicolay (keyboards), Galen Polivka (bass), and Steve Selvidge (guitar, vocals).

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IDLES new single out now

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Single release: 'Great' by IDLES
Release date: Out now
More info: Band website

Following the single's debut with Steve Lamacq on 6 Music (listen to recent session here) and ahead of a live performance for Annie Mac on Radio 1, IDLES have shared another new song off their much-anticipated new LP ‘Joy as an Act of Resistance,’ out 31st August via Partisan.

'Great' is a pro-immigration black comedy (“Islam didn’t eat your hamster/change isn’t a crime”) as well as a scathing confrontation of the Brexit/Trump era. The song is accompanied by a music video (directed by Theo Watkins), which you can watch here.

Singer Joe Talbot says of the track: “Let us go forward with open minds and open hearts into that fuck off fire we've started. No blame, no hate. Just love and a blue passport.”

‘Joy as an Act of Resistance’ bluntly addresses everything from toxic masculinity, immigration, racism, nationalism + more. The band are able to channel those weighty subjects though pure positivity and even biting humor. 

Earlier this month IDLES also announced an art exhibition to celebrate the release of their album. Open for two days on 30 and 31 August, between 12pm and 8pm, and curated by the band, the exhibition will take place at: HM Electrics Gallery, 65 Nile Street, London N1 7RD

The gallery will contain 18 pieces of work across several mediums. All proceeds going to the Samaritans charity. Watch the exhibition trailer here.

Watch IDLES on News At Ten

The band have also announced a run of live in-store dates around the album:

30 Aug UK London, Banquet Records, 9pm
31 Aug UK Bristol, Rough Trade, 3pm
31 Aug UK Bristol, Rough Trade, 7pm
03 Sep UK Portsmouth, Pie and Vinyl, 1pm
03 Sep UK Brighton, Resident, 6.30pm
04 Sep UK London, Rough Trade East, 7pm
05 Sep UK Sheffield, Record Junkee, 1pm
05 Sep UK Nottingham, Rough Trade, 7.30pm
06 Sep UK Leeds, Crash Records, 1pm
06 Sep UK Manchester, FOPP, 5.30pm
07 Sep UK Cardiff, Spiller Records, 7pm

'Great' is the fourth song to be released from IDLES's much-anticipated upcoming album 'Joy As An Act Of Resistance'. Produced by Space and mixed by Adam Greenspan & Nick Launay (Arcade Fire, Yeah Yeah Yeahs, Kate Bush), The album takes aim at everything from nationalism and immigration to class inequality - all while maintaining a visceral, infectious positivity. Singer Joe Talbot summarises: “This album is an attempt to be vulnerable to our audience and to encourage vulnerability; a brave naked smile in this shitty new world. We have stripped back the songs and lyrics to our bare flesh to allow each other to breathe, to celebrate our differences, and act as an ode to communities and the individuals that forge them. Because without our community, we’d be nothing.”

Read Joe’s full statement on the album’s inspiration and origins here

Watch the video for album opener 'Colossus' 

This autumn, IDLES will embark on their first ever global tour, including their biggest London headliner yet at O2 Forum Kentish Town on 18th October. Their last London headliner, at Heaven, sold out nearly six months in front. Tickets are on sale now here

Watch the video for anthemic single 'Danny Nedelko'

"IDLES might just be the best live guitar band in Europe." - The Quietus

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Mozes and the Firstborn new single out now

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Single release: 'Hello' by Mozes and the Firstborn
Release date: Out now
More info: Band website

“We grow and develop by challenging ourselves: By taking risks that make us prone to failure, but also to success and achievement. It’s easy to get by in the good times. It’s in the rocky moments that we finds ourselves vulnerable and in the spotlight, pushed to our limits and forced to discover who we really are – even if that means stumbling a few times before we regain balance. Dynamic, vivacious, and driving, Mozes and the Firstborn’s 'Hello' is an emphatic endorsement of stepping outside our comfort zones and asserting ourselves.” – Atwood Magazine

Since the Californian label Burger Records released their self-titled debut album in 2014, the band has embarked on international tours with The Growlers, Unknown Mortal Orchestra and together PANGEA, crisscrossing the United States and Europe. In 2016 the band released 'Great Pile of Nothing', a more introvert and mellow LP.

Over the past year the Eindhoven-based Mozes and the Firstborn have been recording new tunes for their third full-length album. Embracing the feel of a mixtape, they blend their favorite styles and genres into an intriguing conglomeration of songs. The band has worked with a number of producers, including producer/mixer Chris Coady (Beach House, Slowdive) and Roland Cosio (together PANGEA, Fuzz).

'Hello' is all about stepping out of our comfort zone and overcoming fears and other obstacles in our lives. Filmed by Mart Beek, the song’s music video is the quintessence of going the distance, a single-shot film of Melle Dielesen running in a marathon while singing – and, at times, smoking a cigarette.

“I wrote ‘Hello’ for my little sister to tell her she needs to get out of her comfort zone a little more,” Dielesen says. “A couple of weeks ago I realised I ought to practice what I preach. Recording a video during a marathon while smoking a cigarette seemed like a good start. I’m growing. The band is growing: Doing things that seem scary and irrational in your head make sense if you actually put them to practice. Every day we should try something we’ve never tried before. Go out into the world and say Hello. It’ll probably turn out all right. And if it doesn’t? Hey, you’ll have a good story to tell.”

It’s not about succeeding; it’s about setting yourself up for greatness. You “have to show something of yourself from time to time and dare to say hello,” Dielesen reflects. If we’re not pushing ourselves, we’re stagnant – a passive state that’s far too easy to get used to. Thankfully, we now have a provocative song and video like “Hello” to keep up the momentum when our legs get tired, and we slow down. Raucaus and energetic, Mozes and the Firstborn’s latest release is a garage-y explosion that promises to brighten your day.

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Silverbacks new single out now

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Single release: 'Dunkirk' by Silverbacks
Release date: Out now
Label: PK Miami Records
More info: Band website

"Dublin art-punks Silverbacks combat marital strife and boredom via tense, methodical beats and prickly guitar riffs." - Paste

Dublin art-punks Silverbacks stomp back into action in 2018 with the release of their new single produced by Girl Band’s Daniel Fox 'Dunkirk' on June 15th through their own PK Miami Records. Today, the band have premiered the single on Soundcloud at Paste where it was described as "jagged and menacing".

“The song is about a character who is questioning the life they have been dealt,” Silverbacks explain. “They find themselves in a near dystopian future where Dunkirk, despite its history, has become a built-up holiday destination for young families.”

Underpinned by an insistent, nagging bassline and creepy crawly guitar lines, it provides the ideal vehicle for frontman Daniel O’Kelly’s stream of consciousness ramblings about martial strife, the perfect sandcastle and spotting a con artist when he sees one. Produced by Girl Band’s Daniel Fox, the track lurches forth, pressure building from the undulating backbeat and layers of skronking guitars accenting Daniel’s increasingly frazzled yelps before finally collapsing into a sugar sweet coda. Indie kids no more, Silverbacks mean business and ‘Dunkirk’ is a powerful first move. The single is accompanied by a brilliantly creative video from Belgian graphic designer and artist Cameron Francis Taylor.

Hailing from Dublin, Silverbacks are a thrilling prospect, delivering their own louche take on NYC-indebted rock: slack enough for the tastemakers while also mining the gems of a pop vein, catching the ears of those with a taste for a good hook. Now a full-fledged five piece after graduating from the bedroom project of songwriting brothers Kilian and Daniel O’Kelly, they ply their trade with as much emphasis on the dry humour running through Daniel’s lyrics as the propulsive, triple guitar-led onslaught in their music.

Last year’s ‘Sink The Fat Moon’ EP had the band lighting up their homeland, with nods from BBC’s Across The Line, RTE’s Dan Hegarty, The Irish Times, The Thin Air and Nialler9 amongst others. They followed up with riotous single ‘Just for a Better View’ before the end of the year, drawing more accolades and setting themselves up for an exciting 2018.

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