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Press releases

Here you'll find all our latest press releases and news. Stay on top of who’s playing what festival, which artists are touring, release news and much more. Use the links to your left to read recent press releases, or subscribe below to get our stories in your inbox.

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Entries in Wilco (3)

Monday
Sep172012

Debut album from acclaimed Irish band Autumn Owls


Album release
Between Buildings, Toward The Sea
Release date: 16 October 2012
Label: Epitonic
Listen: http://www.autumnowls.com

Autumn Owls are pleased to announce their debut album, Between Buildings, Toward The Sea, which will be the first release from Epitonic.com's new label, on October 16.

Autumn Owls first formed in Dublin in 2007, releasing two EPs in 2008 and touring extensively in Europe for the next few years; they also performed at key North American events such as SXSW, CMJ, Canadian Music Week and NXNE. After receiving an excellent reception to their EPs from the likes of The Irish Times, Channel 4, State.ie, AU Magazine and The Evening Herald, the band finally settled in to writing their debut full-length late last year.

To record the album, the Dublin trio headed over to the U.S. to enter the studio with producer Brian Deck (Modest Mouse / Iron & Wine). The result was a record of deliciously cold, atmosopheric indie rock, packed full of eerie guitar riffs, stuttering drums and haunting, reverb-drenched vocals. There are nods to the likes of Wilco, Interpol, Slint and Arab Strap, with occasional hints of The Beatles, Radiohead and Nick Drake too. But sonically, the album is definitely the band's own, with McFarlane's vocals and guitar riffs hovering icily over a sparse production that manages to be both clinical and emotive at once.

With some very strong press coverage previously attained for their EPs, a Phantom FM track of the day already in the bag for this album's "Spare Room" track, the future looks very interesting for Autumn Owls.

Talking points

  • The Autumn Owls started the band in college
  • They have no day jobs; they just play music
  • Their album was recorded with one of their favorite producers, Brian Deck (Califone, Iron and Wine, Modest Mouse, Fruit Bats) in Chicago
  • They've played the following festivals in North America: SXSW, CMJ, NXNE, CMW, NX35
  • They've played the following festivals in Europe: Forbidden Fruit, Hard Working Class Heroes, Indiependence, Knockanstockan and Postivus\

Dates to watch out for

  • Hard Working Class Heroes Festival appearance - 6 October at Button Factory, Dublin
  • Instore at Tower Records Dublin - 19 October, 5:00pm
  • Release party at Grand Social, Dublin - 20 October
  • Gig at Roisin Dubh, Galway - November 9
  • Gig at Passionfruit Theatre, Athlone - November 10

More information

For more information please contact Chris Singleton at chris@prescriptionpr.co.uk or on +44 7790 591707. 

Thursday
Apr052012

Changing Horses – The Nashville Sessions

Album release: The Nashville Sessions by Changing Horses
Release date: June 11, 2012
Label: Frairgate Records
Listenhttp://soundcloud.com/changing-horses 

“It’s so refreshing when something genuinely new, fresh and a little bit startling comes along. Changing Horses tick all three boxes” – Spiral Earth

“Truly original and delightful” - Robin Williamson, The Incredible String Band

Changing Horses are British Indie-Folk duo Richard Birtill (vocals and guitar) and Francesca Cullen (vocals, violin, mandolin and melodeon). Stylistically taking influence from the psychedelic likes of The Incredible String Band, and the experimental art-punk of The Fall, theirs is a patchwork of off-kilter folk that has drawn in the plaudits from numerous sources. After holing up in a Nashville studio with session musician / producer Chris Donohue (Elvis Costello, Emmylou Harris) the track Cut All Strings featured on an HBO documentary and went on to pick up multiple plays on both the Steve Lamacq and Bob Harris BBC radio shows. Last year’s festival season also saw the band grace stages at Kendal Calling, Solfest, Brampton, Crawley Folk Festival and SO festival.

It’s on the live circuit the Changing Horses’ reputation has been built. The last few months have seen them perform as main support to the likes of Jeffrey Lewis, Pat Sansone (Wilco), Ade Edmondson and Adam Green. Captured here on The Nashville Sessions however is a band vying for the unconventional, yet still maintaining core melodies. Flitting between the wistful (Cut All Strings), the fragile (One Million Screaming Angels) and the macabre (Till Death), when things do take a more popular twist, Birtill’s wrought vocals still punctuate Cullen’s neat string play. In turn, I Don’t Need It’s discordant opening phrasing soon makes way for a wave of anthemic guitars.  

Deeply personal songwriting, tongue-in-cheek moments, macabre themes and innovative string playing make up Changing Horses’ The Nashville Sessions; a strong debut from a band that lives to draw the listener into their own lovesick universe.

More information / press enquiries

For all press enquiries (including review copy requests), please contact us. If you feature this story in your publication, blog or site, we'd really appreciate it if you could let us know.

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Thursday
Oct132011

Johnny Foreigner vs. Everything

Johnny Foreigner

Album release: Johnny Foreigner, Johnny Foreigner vs. Everything
Release date: 7 November 2011
Label: Alcopop 

Johnny Foreigner return with their third album proper, Johhny Foreigner vs. Everything, released through Alcopop! on November 7 2011.  Speaking about their new album, guitarist and singer Alexei says: "We are bursting with excitement to be able to start talking about our wonderful record. It was made this spring and summer in our hometown by our old friend Dominique James, and will be released November 7 on Alcopop. it's going to be called Johnny Foreigner vs Everything."

"We started writing it two years ago, and staggered recording and mixing over 5 months. the title came first. This is the first full length record we've made without a grammy-nominated producer, without contracts and New York and professionals. The biggest challenge we've faced as a band, and the worst thing about leaving the world of corporate-funded labels, was knowing that sooner or later we'd come to this point; having to make a way better record for a way worse budget…and I'm beyond proud to say that I think thats exactly what we've achieved. We've made the record that sounds like we do in our heads."

A mix of their usual, frantic indie-rock, influenced by the likes of Pavement, Meneguar and Cap’n Jazz, and elsewhere the more reserved, hushed tones of Sparklehorse and Wilco, the album finds the band on arguably their finest form yet. Dynamically their most varied record, it’s difficult to pick highlights on an album that is full of them. From the familiar noise-pop of With Who, Electricity vs The Dead and Hulk Hoegaarden, Gin Kinsella, David Duvodkany to the more controlled melodies that drive first single (Don’t) Show Us Your Fangs, the wonderful, horn driven Jess, You Got Your Song, Now Leave and the anthemic second half of New Street, You Can Take It, the record doesn’t ever let up on the quality. 200x brings to mind the likes of Minus The Bear and Doesn’t Believe In Angels and Johnny Foreigner vs You are just, well, beautiful.

Under the pressure of recording an album on a budget but with as supportive a fanbase as ever, Johnny Foreigner vs. Everything will more than satisfy those fans and hopefully make them many new ones. A tracklisting full of small victories, Johnny Foreigner might feel like they’re at war, but right now they’re only winning their battles.

For more information about this release or to request an interview please contact us.

More information / press enquiries

For all press enquiries or to arrange an interview, please contact us. If you feature this story in your publication, blog or site, we'd really appreciate it if you could let us know.

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