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Entries in The Band (4)


The Band: Live at The Academy of Music 1971

CD and DVD collection: Live at The Academy of Music 1971 by The Band
Release date: 30 September 2013
Label: Capitol / Universal 

During the final week of 1971, The Band played four legendary concerts at New York City’s Academy Of Music, ushering in the New Year with electrifying performances, including new horn arrangements by Allen Toussaint and a surprise guest appearance by Bob Dylan for a New Year’s Eve encore. Select highlights from the concerts were compiled for The Band’s classic 1972 double LP, Rock Of Ages, which peaked at No. 6 on the Billboard 200 and remains a core album in the trailblazing group’s storied Capitol Records catalog. For the first time, all four of the concerts’ multi-track recordings have been revisited for Live At The Academy Of Music 1971, a new 4CD+DVD collection to be released September 17 by Capitol/UMe. The expansive new collection features new stereo and 5.1 Surround mixes, including 19 previously unreleased performances and newly discovered footage of two songs filmed by Howard Alk and Murray Lerner. Live At The Academy Of Music 1971 takes a deep dive into The Band’s historic shows for a definitive document of the pioneering group’s stage prowess at the apex of their career. On the same date, the collection’s first two discs will also be released as a 2CD set.

Live At The Academy Of Music 1971 is presented in a deluxe, 48-page hardbound book with previously unseen photos, a reproduction of Rolling Stone’s original Rock Of Ages review by magazine co-founder Ralph J. Gleason, an essay by The Band’s Robbie Robertson, and appreciations of The Band and the set’s recordings by Mumford & Sons and Jim James of My Morning Jacket. The collection’s first two discs feature performances of every song played over the course of the four concerts, and the New Year’s Eve soundboard mix on discs 3 and 4 puts the listener in the room for that entire legendary night: Uncut, unedited, taken straight from the master recordings and presented in full for the first time. The set’s DVD presents the tracks from discs 1 and 2 in 5.1 Surround, plus Alk and Lerner’s filmed performances of King Harvest (Has Surely Come) and The W.S. Walcott Medicine Show.

Live At The Academy Of Music 1971 is produced by Robbie Robertson, with co-producers Michael Murphy and Matt D’Amico. The stereo mixes for the first two discs and the DVD’s 5.1 Surround mix were done by Bob Clearmountain, with the stereo mixes for discs 3 and 4 helmed by Sebastian Robertson and Jon Castelli, assisted by Ryan Nasci. The collection was mastered by Patricia Sullivan at Bernie Grundman Mastering. The concerts were originally recorded by Phil Ramone with Mark Harman.

By the late 1960s, The Band had become one of the most popular and influential rock groups in the world. Robertson, reflecting on the time and the decision to record the Academy Of Music concerts, recalls, “We were in a huddle of playing music, enjoying what we were doing, and I had a feeling, ‘We should capture this.’ To end 1971 with these shows felt, for all of us, like the right thing to do. This is a fulfillment of that extraordinary musical experience that I feel great about sharing.”

Of the set’s complete New Year’s Eve recording, Robertson says, “This is like being there.  It was the final night; there was a thrill in the air.  We were excited about New Year’s Eve, and then Dylan joined us for the encore. When he came out, we thought we could wing it, and wing it we did. We thought, ‘We’re not gonna fall off this wire.’  That whole night had a bit of magic to it.”

The Band’s members shared an extensive collaborative history. Between 1960 and 1962, the then-teenaged multi-instrumentalists Levon Helm (drums, vocals, mandolin), Robbie Robertson (guitar, piano, vocals), Rick Danko (bass, vocals, fiddle), Richard Manuel (keyboards, vocals, drums) and Garth Hudson (keyboards, horns) first performed and recorded together as members of the backing band for Ronnie Hawkins called the Hawks. In late 1963, the Hawks struck out on their own and became Levon & the Hawks, playing and recording under this name in 1964 and 1965.

In 1965, Robertson met with Bob Dylan in New York, just as Dylan was seeking an electric guitarist for his touring band. The Band was born, with all of the former Hawks backing Dylan on the road from October 1965 through 1966 as he incensed audiences in the U.S., Australia and Europe, performing electric sets. Disheartened by the vocally disdainful ‘folkie purist’ audience response to their first plugged-in performances with Dylan, Helm left The Band in November 1965.

After the 1966 tour concluded, The Band woodshedded for the next year in upstate New York, often in the company of Dylan, forging a highly original sound that in one way or another encompassed the panoply of American roots music: country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, Anglican hymns, funeral dirges, brass band music, folk music, modern rock, fused and synthesized in ways that no one had ever before thought possible.  

Helm re-joined The Band in 1967, as the group prepared to record their first full-length album.  Released in 1968, Music From Big Pink received glowing reviews; a journalist for Life magazine wrote that The Band “dipped into the well of tradition and came up with a bucketful of clear, cool, country soul that washed the ears with a sound never heard before.”  While the album only reached No. 30 on Billboard’s chart when it was released, it has become recognized over time as one of the most important albums in the history of rock. 

Between 1968 and 1978, The Band released nine albums. In 1989, The Band was inducted into the Canadian Juno Hall of Fame; five years later they were accorded the same honor by the Rock and Roll Hall of Fame. In 2008, The Band was honored with The Recording Academy’s Lifetime Achievement Award.

Sadly, three members of The Band, Richard Manuel, Rick Danko and Levon Helm, have passed away, but The Band’s legacy lives on, in their recordings and in their tangible influence on popular music since they first hit the scene, wowing not only Bob Dylan, but many other major players of the day, including Eric Clapton, George Harrison, and Miles Davis. Making Americana music before the term even existed, Rick, Levon, Garth, Richard and Robbie collectively constituted the only ensemble to ever rightfully earn the sobriquet The Band.

View full track listing here.


Winter Mountain to release debut EP 'Find, Follow' on Charcoal Records

EP Release: Find, Follow by Winter Mountain
Release date: 20 May 2013
Label: Charcoal Road
Listen: on Youtube

They have an extraordinary backstory straight out of a movie screenplay for which their songs would make the perfect soundtrack. How Joseph Francis and Martin Smyth met and were discovered is remarkable and goes a little like this...

An Englishman and an Irishman step onto the same train at Chicago's Union station and meet for the first time. Both singers, both songwriters...both broke, but intent on making their way by rail to Memphis, TN, the birthplace of Rock n Roll.

That night, the two strangers began a conversation that lasted until the early hours. A conversation centered on their mutual love of the sounds of the 60s and 70s, of great albums and great artists, and great harmony singing: The Band, Simon & Garfunkel, Crosby, Stills, Nash and Young were all discussed. By morning they had named themselves Winter Mountain and committed to travel together, swapping stories, exchanging lyrics and singing together in the bars and clubs of the deep south. From their first performance it was impossible to ignore the rare magic of their natural vocal blend as heads turned whenever they sang.

On their return the guys spent a fortnight songwriting in Ireland which led to a chance entry in a Battle of the Bands competition. Winter Mountain competed against the best unsigned talent in Northern Ireland, and won! It was enough to capture the heart of a local theatre owner who booked them to open for Irish singing luminary Cara Dillon. After hearing Joseph and Martin’s performance Cara and husband/producer Sam Lakeman immediately signed Winter Mountain to their independent label, Charcoal Records and set about assembling a team of experienced musicians who could help realise the vision that Joseph and Martin had for their music.

With contributions from Robbie McIntosh (guitarist with McCartney, The Pretenders, John Mayer), Audrey Riley (string arranger for Coldplay, Nick Cave) and Leo Abrahams (guitarist for Brian Eno, Florence And The Machine), the songs were recorded in a host of vintage studios which echo the authenticity of their sound and the resulting EP, Find, Follow, blends exquisite melodies, heartfelt lyrics and above all else, compelling harmonies.

The final, perhaps most striking touch to the EP was made when the highly acclaimed Mike Crossey (Ben Howard, Jake Bugg, The Arctic Monkeys), stepped up in the midst of his hectic schedule and mixed all three tracks.  

There have been the obvious comparisons to Simon & Garfunkel, The Fleet Foxes and The Everly Brothers and when you hear and see them perform you’ll understand why. Yet Winter Mountain bring something new to their vocal delivery, echoing  those legendary harmony acts, but adding a vital, contemporary edge that is uniquely their own. Their vocals blend as if they’ve been harmonising for a lifetime. And although Martin’s from Donegal, Ireland and Joseph hails from West Cornwall, you get the impression they were born to sing together.

Winter Mountain’s debut EP Find, Follow is now due for release on iTunes and other online outlets on 20th May 2013 on Charcoal Records.

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One Mile An Hour: debut album out 1 October

Album release: One Mile An Hour by One Mile An Hour
Release date: 1 October 2012 
Label: Snowbird Records 

Also available: 250 ltd edition 180g vinyl

It’s often remarked that we are all products of our environment. So when 3-piece One Mile An Hour began to put together their debut album, they were only ever going to achieve the result they wanted by constructing their own studio. A space built at the top of a house, overlooking the sea on the south coast, became the scene for the recording of this complex, introverted outsider-folk record. 

One Mile An Hour chose to self-produce the album in order to capture the record’s recurring themes, which most notably come in the form of the outdoors and nature. Things used, wasted, squandered and lost sit alongside more hopeful ideas of escape and salvation, all forming part of one all-encompassing continual idea of humanity, our relationships and love. The album was mastered by John Dent (John Martyn, Nick Drake, PJ Harvey).

Vocalist Jeff Kightly covers some seemingly bleak ground at times; “for open are the arms from which hope can unfold…Some'll see stone where another knows gold… ” (In Return), “Magpie is faking that my ink is running dry when the black eyed dog calls” (Magpie Song). Outdoor themes became integral following the band's immersion in Scandinavian landscape and literature – the form and structure rather than the content itself.  Trouble’s Roots references Tove Jansson’s The Summer Book, while In Return was influenced by the backdrops of Finnish folk tales.

One Mile An Hour is an album oozing ideas and ambition. It’s cinematic yet intimate. Busy yet controlled. Opening track Sunken Ships sets a breezy tone, Kightly’s gorgeous falsetto curling tightly around understated guitar-play, while You Are On Beach aligns deft riffing with melancholy verses and emotive chord progressions. Elsewhere, tracks are allowed to breathe and weave but surge forward, focused on their ultimate resolution (the 10 minute album closer, Nine Eight). The band’s musical fluency, drive and intricacy make the whole record feel less a result of direct influence by other artists, and more like a conversation between the likes of Pentangle, Bonnie Prince Billy, The Grateful Dead, John Martyn, The Band, CSN&Y – in which One Mile An Hour are the topic of discussion.  

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